World of One
"I wanted to picture a world where I'm no longer an outsider." - Johnny
"I wanted to picture a world where I'm no longer an outsider." - Johnny
This shot was inspired by how it's so hard to take your own advice.
This image marks a turning point in this series. Before this piece, the story and concept behind each image were really more of an afterthought. Visuals came first. After this image, a much greater focus on what message the image is expressing starts to take place.
Instillation view: How the art lives in a collector's home.
Inspired by the greek myth of Narcissus. Photographed at the Christian Science Center in Boston, MA. This image most directly confronts one of the central themes of this series: "How do you see yourself?"
Inspired by the feeling of trying to remember something. Shot on slide film for more vibrant colors.
Inspired by the feeling of standing out in a crowd.
How it feels to be conflicted with yourself.
How it feels to be alone in a crowd.
How it feels to be alone in a crowd.
How it feels to walk towards the unknown.
How it feels to be broke, surrounded by success.
Instillation view: Exhibited at Pearl River Mart, 2019.
"Life can only be understood backwards; but it must be lived forwards." - Soren Kierkegaard
Walking towards the unknown, but doubting yourself.
What it truly means to have hope.
How it feels to be torn between the desire to create and destroy.
Instillation View: Hung with magnets and on view at Pearl River Mart, 2019.
How it feels to be a loveable loser.
Progress is not a circle, it is a spiral staircase.
We are not running in circles, we are climbing a spiral staircase.
Sometimes, you just have to help yourself.
Inspired by the Edward Snowdan case. Big Brother is always listening.
There's something painfully beautiful about self sabotage.
Reach for the skies, but keep your feet (or head) on the ground.
Somedays, it's hard to know which parts of yourself to help first.
Contemplating loss.
The only time we can be brave is when we are afraid.
We learn about most tragedies through social media. Is this a good or a bad thing?
Inspired by Gordan Parks' iconic The Invisible Man collaboration with writer Ralph Ellison, and Ninja Turtles.
How do you want to see yourself?
When in doubt, just rip off Magritte.
Inspired by the Offering, by James Jean.
Only by accepting discomfort, will you be comfortable everywhere.
What is the way things should be?
Installation view: At an artist talk for the Counter Weight exhibition in Brooklyn Bridge Park.
Death of Narcissus is a homage to Hippolyte Bayard’s Self-Portrait as a Drowned Man, one of Johnny's favorite early photographs (and one of the world’s first selfies!).
Hippolyte Bayard is a pioneer and inventor of photography in who lived in 19th century France. But he was was overlooked by the French Academy of Sciences in favor of his rival Louis Daguerre, who was both a better salesman and better connected. In response, Bayard sent the Academy members copies of Self-Portrait as a Drowned Man in protest. This might sounds tame by today’s standards, but it’s actually a big fuck you to the academy. You see, Daguerre’s process could only produce a single copy of an image. If you wanted two copies, you’d have to photograph the same photo twice. But Bayard’s process was able to produce multiple copies.
Johnny used Bayard’s image as the inspiration for the themes and composition of Death of Narcissus, while adding a personal twist on it. Johnny titled this piece with the reference to Narcissus, to tie it in with his other reflection based self-portraits in the World of One. Also because in some versions of the myth, Narcissus dies by suicide.
Shot in May 2020, just as New York was emerging from the first series of lockdowns. This image reflects how the artist felt the world was judging the US during that period of time.
In America, Asians are known as the “Model Minority.” But growing up here, Johnny has always looked at how society treats black people as the real “Model Minority.” Because there ain’t shit they can do to us, that hasn’t been done to them. With this piece, Johnny wanted to show support for the struggle, and to say that “Even if your back is against the wall, I stand with you.”
Grieving during the pandemic was the worst. Being unable to hug our loved ones while they are in pain is a unique kind of hell.
“How vain it is to sit down to write when you have not stood up to live.” - Henry David Thoreau
Because God’s laughing at us.
The whole of life is absurd.
Destroyed, ruined, wasted, squandered, lost.
"My Arrakis. My Dune." - Vladimir Harkonnen
Death is required for rebirth.
It's beautiful to be human.
Catharsis completes a trilogy of pictures centered around the theme of catharsis. In ancient Greece it was believed that the purpose of theater is to make the audience laugh and cry. Because experiencing the extremes of human emotion cleanses and purges the soul. This image specifically explores how we ignore our feelings. How we can laugh and smile on the outside, even when we’re rotting on the inside.
What every group project feels like.
This was shot during a 2025 residency at the Arteles Center for the Arts in Finland. It’s inspired by “Carte Blanche” a René Magritte painting of a man on a horse in a surreal forest. In Magritte's painting, the trees from the background overlap with the foreground, warping the viewer's depth preception. A technique Tang also employs here. The subject of Margritte’s painting is how our mind fills in the gaps for what we want to see. “The whole is greater than the sum of its parts” as the saying goes, which is a psychological effect called "Gestalt." Tang thinks it's an interesting metaphor for identity.
These images are all shot on 35mm film, then scanned and digitally minipulated. This is done with the intention of minipulating the audience's preception of reality. By injecting something familar and using nostalgia to make the magical believable.
Images are listed at exhibition size, with instillation photos in the details wherever available. Small and medium sized prints are also available in the following sizes/dimensions:
Small: 11" x 14" edition of 15
Medium: Various Heights x 24" width edition of 10
Please reach out by email to info@johnnytangphoto for all questions/concerns/sales information.